|Allgemeine Gaming-News|

[gunman]

David Cage offers nine examples of how the industry can “grow up”

1: Make games for all audiences. “I believe it's time for this industry to create content, interactive experiences, for an adult audience,” he reiterated.

2: Change our paradigms. “We cannot keep doing the same games the same way and expect to expand our market,” Cage cautions. “We need to decide that violence is not the only way.”

“For most people out there, mastering a system is not something exciting, it's boring,” he says. They don't want to compete. It's fine when you're a kid, but not as fun as an adult. “I don't want to feel the strange experience of getting my ass kicked by a 10 year old,” he added, challenging the industry to start making games with no guns.

3: The importance of meaning. “When you think about it, you realize many games have absolutely nothing to say!” says Cage. “There's nothing against that, but that's a toy. Can we create games that have something to say? That have meaning?”

To do this, we need to let authors come in, he says. “Games today, most of the time -- not all, but most -- are written by programmers and graphic artists and the marketing team. We need to have authors really at the heart of the project.”

In addition, we should use all real-world themes. Most games take place in a world we can never enter, but Cage says we should focus more on human relationships. “We need to put games at the center of our society, the center of our life. Games can do that in a very unique way.”

4: Become accessible. “Let's focus on minds of the players, and not how fast they can move their thumbs!” he says. We need to think about the journey versus the challenge. Is a game a series of obstacles, or could it be just a journey? Just a moment that you spend?

5: Bring other talent on board. David Cage in his career has worked with David Bowie, and the actress Ellen Page, which he says brought new perspective to his games. “Working with these people has been an amazing experience,” he says. “They came to the game industry because that was something new to them.”

6: Establish new relationships with Hollywood. Relationships with Hollywood have traditionally been based on what Cage calls “a misunderstanding” for some time, largely through licensing. “I think the time has come for a meaningful constructive, balanced new partnership,” he says. “We can invent, together, a new form of entertainment.” They master linear art, and we master interactivity. We should bring them together.

7: Changing our relationship with censorship. “I see myself as a writer,” he says. “I try to write scripts talking about emotions, dialogues. Sometimes I use violence, and sometimes I use sex. And that's fine. But now I have somebody looking over my shoulder saying 'no, you have to change this. That's not possible.'”

“Why would this be okay in movies? Why would this be okay in novels? And the answer is always the same -- because you are interactive,” he adds. “On the other hand I was quite shocked by some things I saw at the last E3. Some games go over the top trying to be more violent, or have more sex than its competitors. And I think that's also a mistake.”

“Sometimes we go too far, and we behave like stupid teenagers ourselves,” Cage says. “And we should stop doing this, because it's a matter of being responsible not only to our industry, but also to our society.”

8: The role of the press. “I think press has a very important role to play,” Cage says. “[In the] press, we have on the one side, very clever people. They think about the industry, they analyze it, they try to see where it could go in the future. On the other side of the spectrum, you've got people giving scores. Just scores.”

“I don't think this is press,” Cage says. “Where is the analysis? Where's the thinking about this? Can anyone give his opinion and be respected as a critic? Being a critic is a job. It requires skills, it requires thought.” He here referenced the famous Cahiers Du Cinema, a film journal which helped influence the French New Wave of cinema, and changed movies significantly.

9: The importance of gamers. “I often think that buying or not buying a game is almost like a political vote,” Cage postulates. “You decide if you want the industry to go in this direction or not go in this direction. Buy crap, and you'll get more crap. Buy exciting, risky games, and you will get more of them. When you buy games, you vote for where you want the industry to go.”

http://www.gamasutra.com/view/news/1861 ... RL4juiJXLZ
[ externes Bild ]

[Shiiro]

Einerseits kann mans ihm gut auslegen, da es einfach gute Punkte sind.
Andererseits passt das so wunderbar auf seine eigenen Spiele und ist nun auch nichts, das nicht schon seit Jahren diskutiert wird

[CubeKing]

Einerseits sind seine Punkte okay. Andererseits sind seine Beispiele teils doch irgendwie... doof?

[Tripple N]

David Cage sollte erstmal mehr produzieren als heiße Luft, dann sehen wir weiter.

[gunman]

Über seine Person und seine Spiele kann man denken was man will, aber mit seinen Punkten hat er 100% den Nagel auf den Kopf getroffen, wenn die Spieleindustrie jemals aus ihrer Schmuddelecke rauskommen will.

[Shiiro]

Aber das ist ja genau das, was ich meine. Er ist NICHT der erste, der sowas sagt und es passt so wunderbar, um sich selbst und seine Spiele wieder relevant zu machen.

[gunman]

Na und?
Das macht seine Aussagen nicht weniger richtig.

[Shiiro]

Ich find halt deine Gif etwas übertrieben, weil wie gesagt, er nicht der erste mit solchen Statements ist

[gunman]

Umso mehr das unter Devs disktutiert wird, umso besser.

[Shiiro]

Muss nur bis zu den Publishern durchdringen

[gunman]

Und Warren Spector legt nach:

"[...] It's about the content. My interests in content have changed dramatically and I suspect this is true for many of you. There are some games that should just not be made, by the way…."

At that moment, Spector showed an image of Lollipop Chainsaw. This would not be the first time Spector has complained about today's hyper-violent video games. But he's not gone out of his way to be specific. Here, he did.

"I'll try not to be too obnoxious," he continued. "When I was younger, that's all I needed. All I needed was to differentiate myself from other people. If it was going to convince my mother that I was a juvenile delinquent, I was there. I needed to be transgressive. Adrenaline rush and spectacle were all I needed. I don't think I was alone in that. Maybe I'm just shallow…. When you're this age, spectacle is plenty. And bloodsprays and all that stuff is really kind of what you're looking for because you really want to alienate people in a strange sort of way. You want to shock people and you want to be different.

"Not so much, anymore.

"I have no interest in guys who wear armor and swing big swords. I have been the last space marine between earth and an alien invasion. I really just don't need to go there anymore. I want content that is relevant to my life, that is relevant to me, that is set in the real world….

"If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be."

http://kotaku.com/5982586/warren-specto ... -been-made

[gunman]

Electronic Arts CEO steps down, takes blame for missed targets

Electronic Arts' Chief Executive Officer John Riccitiello has resigned, saying he was "accountable" for the company missing its operational targets.

http://www.reuters.com/article/2013/03/ ... Z120130318

[Shiiro]

Target = $$$?

[gunman]

Nein, der Weltfrieden.

[Shiiro]

Wurde aus dem kurzen Artikel nicht so ersichtlich